(Source: synthface, via emergentseas)
asylumgear
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(see in high-res)// from synthface
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“We are a social entrepreneurship company that partners with the top universities in the world to offer courses online for anyone to take, for free. We envision a future where the top universities are educating not only thousands of students, but millions. Our technology enables the best professors to teach tens or hundreds of thousands of students.”
Currently enrolled in courses on songwriting and the chinese technology and science scene.
#china #technology #science #education #university #courses #college #study #coursera #education #songwriting #music
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test
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(Source: nowhereboyandgirl, via fuckyeahgearporn)
// from nowhereboyandgirl
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→ Awesome J K Broadrick interview
// from asylumnoisepicks
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Composers that I consider interesting are aware of this technology, are aware of these possibilities, and are using them… and I think that they’re in touch with the folk music of our time, because the folk music of our time is electronic.
Steve Reich (via asylumseaker)// from asylumseaker
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This is so amazing. For me it is a perfect demonstration of what electronic music has to offer. I mean it’s just two chords alternating, droning, for ten minutes.. chords we’ve heard before, in a pattern we’ve heard before, nothing new. But the colour of the sound is where the composition lays, is what makes it beautiful and unique, and this is demonstrative of the fact that the ability to control sound colour is what electronics brings to music.
I am actually paraphrasing Brian Eno a bit here, who once made a similar point.// from asylumseaker
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(Source: fuckyeahgearporn, via recordingstudios)
// from fuckyeahgearporn
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// from fuckyeahgearporn
